In September 2020, Rolling Stone magazine released a new version of its list of the 500 Greatest Albums of All Time.

The first version was released in 2003, with a minor revision in 2012. These lists have been widely criticised for having an over-representation of dated, Anglo-American, male, rock music.

Like it or loathe it, the list gets people discussing and debating popular music. It might encourage you to listen to an album or artist you haven’t heard before, or to dust off a forgotten favourite that you haven’t played for ages. It’s all good fun because no one can prove they are right or wrong no matter how passionately their convictions are held. The greatness of an album is all in the mind, the heart, and the feet of the listener.

The table below shows the 2020 list with the 2012 and 2003 lists alongside. A total of 692 albums have been on the list of 500 Greatest Albums of All Time across its three iterations to date. There was little change between 2003 and 2012, so most of the inclusions and exclusions have been between 2012 and 2020. I feel some healthy debate coming on…

The Wikipedia entry for ‘Rolling Stone’s 500 Greatest Albums of All Time’ provides some basic statistics on number of albums from each decade, and artists with the most albums.

They show that the 2020 list is more contemporary. Albums from the 1950s and 60s have fallen from 31% (in 2003) to 17% (in 2020), albums from the 1970s and 80s have fallen from 54% to 45%, albums from the 1990s and 2000s have risen from 15% to 31%, and albums from the 2010s have risen from 0% to 7%. In summary, the 70s-80s core remains solid (roughly half) with the 50s-60s dropping off and being replaced by the 90s-00s, and a small number of albums (36) from the last decade.

They also show that the list is more diverse. In 2003 and 2012 there were 59 artists with between three and eleven albums on the list accounting for 48% of the entries, whereas in 2020 this has fallen to 41 artists accounting for 32%. In summary, the big names have gone from roughly a half to a third of the list.

Let’s take a look at 2020 list in a bit more detail.

There are 163 new entries on the 2020 list compared with 2012, a turnover of 33%.

Seven of these are albums that were on the 2003 list then culled in 2012. Presumably many people would agree with the re-inclusion of albums like Jagged Little Pill by Alanis Morissette (which comes back in at #69), Avalon by Roxy Music, and Mezzanine by Massive Attack. There’s also the re-inclusion of studio albums by Creedence Clearwater Revival (Cosmo’s Factory) and Linda Ronstadt (Heart Like A Wheel) that were displaced by Greatest Hits albums in 2012. More on the issue of Greatest Hits a little later…

The new entries are mostly in the bottom half of the list, though not exclusively so. Thirty five (35) % are in the 400+, 26% in the 300+ and 12% in the 250+, totaling 73%. In the top half, 12% are in the 250-200+, 9% in the 100+, and 6% are in the top 100.

The 10 new entries on the list which made it into the top 100 are:

The 163 new entries are also weighted towards recent decades, though perhaps not as much as one might expect. Twenty-one (21) % are from the 2010s, the decade since the last list was produced. A further 16% are from the 2000s and 28% from the 1990s, with the other 34% coming from the 1950s-1980s.

The new entries therefore reflect not just new music produced since 2012, but also a re-evaluation of albums made by female artists, artists with non-Anglo-American backgrounds, and artists working in different genres. For example, the ten new entries in the top 100 shown above include four albums from the 80s and 90s, all by female artists, and six albums from the 2010s produced by male and female artists drawing on hip-hop, R&B, and country roots.

The new top 10:

• Marvin Gaye’s What’s Going On is the new #1, having been #6 in 2012 and 2003.
• Pepper’s Lonely Hearts Club Band by The Beatles was #1 in 2012 and 2003, and now comes in at #24, below Abbey Road (#5) and Revolver (#11).
• Pet Sounds by The Beach Boys remains at #2.
• The rest of the top 10 has been shaken up significantly.
• Abbey Road by The Beatles, Nevermind by Nirvana, and Blood on the Tracks by Bob Dylan jump from top 20 to top 10.
• Blue by Joni Mitchell and Rumours by Fleetwood Mac jump from top 30 to top 10.
• Stevie Wonder’s Songs in the Key of Life and Prince’s Purple Rain jump from top 100 to top 10.
• The Miseducation of Lauryn Hill jumps ~300 places into #10.
• The eight albums that ranked #3 to #10 in 2012 but not in 2020 all remain in the top 40 – four Beatles albums, two Bob Dylan albums, one by the Rolling Stones, and one by the Clash.

The big names:

• The Beatles now have most albums on the list, with nine (down from 10). Bob Dylan has eight albumns on the list (down from 11).
• Neil Young is the one ‘Anglo-American male rock musician’ whose star continues to rise with seven albums, up from six.
• Kanye West is biggest of the new big names with six albums on the list, up from three. He’s now level with the Rolling Stones, and one above Led Zeppelin, Bruce Springsteen, and David Bowie (five each).
• The Who (from seven to four), Elton John (from six to two), and U2 (from five to two) all had several albums drop off. Radiohead retained four albums on the list (down from five).
• Kendrick Lamar, Fiona Apple, and Beyonce are the others moving into big name territory, going from zero to three albums on the list.
• The Police and The Smiths both dropped from four albums to one. Jackson Browne dropped from three to zero.

The big movers:

• There were 23 albums that moved up by more than 250 places – see below.
• This list reflects a re-evaluation of some artists (Lauryn Hill, Wu-Tang Clan, D’Angelo, Amy Winehouse, Nas, OutKast, Liz Phair etc.), as well as a re-evaluation of the relative greatness of albums by some big names (David Bowie, The Police, and Nirvana).

There’s no formula for doing this, but the Rolling Stone approach has some obvious flaws.

 1. Greatest Hits (Artists versus Albums)

From the beginning in 2003, Rolling Stone has allowed inclusion of Greatest Hits and Compilation albums. Many people have pointed out that this is a significant flaw in assessing Greatest Albums. It means that the quality of single studio albums can be rated against the highlights from multiple studio albums. Rolling Stone’s justification for this is weak, and it shouldn’t be allowed.

The potential bias this introduces to the list is less in 2020 than it was in 2003 and 2012. There are (by my reckoning) 26 great hits or compilation albums on the 2020 list, whereas another 30 have been delisted. What’s even more frustrating however is that ten of the artists with Greatest Hits albums listed in 2020 also have studio/live albums listed. This makes no sense at all and gives those artists ‘two bites of the cherry’. It’s unforgiveable to include Greatest Hits albums by contemporary artists like Bob Marley (Legend #48), Madonna (The Immaculate Collection #138) and ABBA (The Definitive Collection #303).

The Greatest Hits albums listed in 2020 are largely big names from bygone eras. This isn’t however a list of Greatest Artists of All Time. The Rolling Stone Greatest Albums list gets a bit confused about this, feeling the need to include certain artists without going through the discipline of assessing the quality of their albums relative to the quality of albums by other, perhaps less famous artists. It damages the credibility of their process.

2. Greatest songs

Related to the above, there are some albums included on the 2020 list that have one or two monster songs but, in the opinion of many, would not rate as monster albums. This is a list of Greatest Albums of All Time, not Greatest Songs of All Time, and again it feels like there’s some confusion on this front.

Lorde’s album Melodrama (#460) is an example. Royals was a monster single, but as an album, Melodrama displaces other much more worthy albums that could be on this list. There are other examples.

 3. Genres

Rolling Stone doesn’t define what genres are and are not in scope for the list, but most of it is obvious. You wouldn’t expect classical albums to show up. There is however some fuzziness around the edges that makes the selection process seem further confused.

The 2020 list includes eight jazz albums, by Miles Davis, John Coltrane, Herbie Hancock, Charles Mingus, Ornette Coleman, and Alice Coltrane. Many would argue that these are great albums, but they’re outliers in this context. Many would argue that there are other great jazz albums not on the list. Personally, I rate Sketches of Spain by Miles Davis higher than the two albums he has on the list, but I’d never expect that album to show up in a Rolling Stone context.

There’s perhaps some of this in the country and Americana genres as well. Crossover artists like Dolly Parton, Loretta Lynn, Taylor Swift, Shania Twain, and Lucinda Williams are clearly ‘in scope’ for a Rolling Stone list. It’s less clear how albums by the likes of Eric Church, Jason Isbell, and Miranda Lambert have made it onto a list with albums by the likes of Bob Dylan, Joni Mitchell, Kanye West and Beyonce. It feels a bit tokenistic.

Rolling Stone says it received and tabulated Top 50 Albums lists from more than 300 artists, producers, critics, and music-industry figures (from radio programmers to label heads) as input to the 2020 list. Critical acclaim, influence on other artists, and album sales are all valid criteria that would emerge from such a process.

It’s unclear how Rolling Stone went from a 300 by 50 matrix to a single list of 500, noting that they already had lists from 2012 and 2003. The risk of a ‘self-fulfilling prophesy’ would appear to be quite high…

Anyway, the subjectivity is part of the fun and nobody needs to get hurt in the process.

The criterion I’d add for assessing ‘greatest’ is listenability. Can you imagine putting that album on at home alone, when having a drink with a few friends, or at a party you’re hosting? Can you imagine playing it end to end, and enjoying the experience? To me this is a key differentiator for a great album. There are quite a few albums on the list that I thought were great when released, but that haven’t stood the test of time. I can’t listen to them today.

The 2020 Rolling Stone list of the 500 Greatest Albums of All Time is a somewhat different beast to the earlier versions. It does feel less rusted on, more dynamic, and more inclusive. For better and for worse.

1. Too much of a good thing

To me, these lists have always seemed fundamentally conflicted on the issue of Greatest Albums versus Greatest Artists. The fact that half of the list in 2003 and 2012 was filled by just 59 artists with between three and eleven albums each says a lot. The 2020 list is more diverse, but just 41 artists still account for one third of the list with between three and nine albums each. Adding more and more albums by great artists is just lazy.

To make space for great albums that aren’t on the list, my starting point would be one album per artist, their greatest. There can be more than one album per artist, but artists with multiple albums must be those that have continued to push boundaries, adding more to the popular music canon over time. I’d argue that some great artists have made pretty much the same ‘great’ album multiple times. Choose one, don’t add them all.

There are eight artists with between five and nine albums on the 2020 list. How many should they have?

• Most people would agree that The Beatles deserve more than one entry. But nine, seriously? I’d give them three – Revolver, Sgt. Pepper’s Lonely Hearts Club Band, and Abbey Road.
• Bob Dylan has eight albums on the list (down from 11). Highway 61 Revisited, Blood on the Tracks, and Blonde on Blonde would make it onto many lists. Personally, I was sorry to see Desire removed from the list. It’s the Dylan album I find the most ‘listenable’.
• I’m a fan of Neil Young but I reckon even he would blush at the inclusion of seven albums. Perhaps three – Everybody Knows This Is Nowhere, Harvest, and Rust Never Sleeps.
• Every one of Kanye West’s first six albums, produced over a nine-year period, is on the 2020 list. This defies logic. One (probably My Beautiful Dark Twisted Fantasy) or maybe two?
• The Rolling Stones have six albums on the list (down from 10). As much as I love the Stones they’ve tended to ‘crank the handle’ over the years rather than break new ground. I’d only give them three – Let It Bleed, Sticky Fingers and Some Girls.
• Likewise Led Zeppelin who have five on the list. I’d only include two – Led Zeppelin IV and Physical Graffiti.
• Bruce Springsteen has five albums on the list. I can’t believe they excluded Greetings from Asbury Park, N.J. so we have to start with six. I could stretch ‘the Boss’ to four great albums – Greetings from Asbury Park, N.J., Born To Run, Darkness on the Edge of Town, and Nebraska.
• David Bowie is the artist on this list who I think has made more great albums than anyone else. He reinvented himself several times across a career spanning almost 50 years, and each of these iterations produced something new and spectacular. Remarkably, all of his great albums remain ‘listenable’ to this day. I would include eight on my list. The five that are on the RS 2020 list i.e. Hunky Dory, The Rise and Fall of Ziggy Stardust and the Spiders From Mars, Station to Station, Low, and Scary Monsters. Plus Let’s Dance, The Next Day, and Blackstar. If you haven’t listened to those last two albums, do yourself a favour…

2. You missed some!

If the big names listed above were given fewer albums along the lines I’ve suggested, it would free up 23 spaces on the Rolling Stone 2020 list. I tried to limit myself to 23 suggestions for great albums that I think are missing but couldn’t keep it under 50 plus albums from 50 artists. Will just have to free up some more spaces when I make my own 500 list. Another day…

The albums I’m suggesting for inclusion mostly come from other than male-American-rock artists. In reverse chronological order (latest to earliest):

 2010-2000s

• Boys and Girls (2012) by Alabama Shakes is a ripper and has a timeless feel to me.
• Laura Marling sounds like she’s listened to Joni Mitchell’s back catalogue, but she’s definitely developed into a major artist with her own style. A Creature I Don’t Know (2011) makes my list.
• Vecakimest (2009) by Grizzly Bear is a beautiful album. Think Beach Boys locked away in a mountain cabin at the end of the noughties.
• The XX (2009) by the XX is a really distinctive debut album. I keep wondering if it will stand the test of time. Up to now I’d say, yes it does.
• Primary Colours (2009) by The Horrors was an outstanding second album, and the quality and diversity of their subsequent output shows that it was no fluke.
• Oracular Spectacular (2007) by MGMT made it onto the RS 2012 list at #494, then fell off in 2020. I’d keep it on. It’s another great debut album that I think is standing up well.
• Goldfrapp have delivered albums of consistently high quality over many years. Felt Mountain (2003) gets my nod.
• The RS lists are ‘light on’ in the techno/dance genre. Stereo MCs have made some fine albums in this genre, and Deep Down and Dirty (2001) is my pick for the list. I defy you to stand still while this album plays.
• Prophesy (2001) by Nitin Sawney has a world music vibe. It draws on diverse influences but brings them together into a coherent, distinctive musical experience.
• Spirit of the Century (2001) by the Blind Boys of Alabama is a wonderful album that will stir your soul.
• John Cale gets a look in as a member of the Velvet Underground, but he’s also made some very interesting music as a solo artist. Hobsapiens (2001) is a great piece of work.
• Sleepwalking (2001) by Rae & Christian is a gem. (Northern Sulphuric Soul [1998] is also very good.)
• Ron Sexsmith is a super talented Canadian singer-songwriter. Blue Boy (2001) is the pick of his albums.
• Since I Left You (2000) by The Avalanches is an amazing album (and not just because they’re from Melbourne).

1990s

• Moby can sound like a bit of a dick, but Play (1999) is a big, influential album. It was on the previous lists and shouldn’t have been dropped.
• Moon Safari (1998) by French duo Air is just a great album that stands up really well.
• You’ve Come A Long Way Baby (1998) by Fatboy Slim was a monster album at the time and it continues to meet the ‘listenable’ criterion.
• DJ Shadow’s Entroducing makes in onto the RS 2020 list at #329. I’d also find a spot for Psyence Fiction (1998) by UNKLE, his duo with James Lavelle.
• Underworld continue to make excellent albums. Beaucoup Fish (1998) is my pick for the greatest list.
• Cake made some fine albums filled with a combination of great original songs and inventive covers. Fashion Nugget (1996) is the best.
• Tricky makes the list as a member of Massive Attack but deserves a spot in his own right for Maxinquaye (1995).
• No Nick Cave and the Bad Seeds? You have to be kidding Rolling Stone! I’d include Henry’s Dream (1992), Let Love In (1994), and The Boatman’s Call (1997).
• What about Michael Franti and Spearhead? They made some great albums, but if I have to pick one it’s Home (1994).
• Nothing by Iggy Pop, other than with The Stooges? That’s outrageous! Look, I have to be careful here because I’ve argued that Rolling Stone confuse Greatest Artists with Greatest Albums. Iggy’s studio albums are notoriously uneven so I’m at risk of sounding hypocritical. That said I think I can justify the inclusion of two albums. Lust for Life (made with David Bowie in 1977) is a great album, with four genuine classic songs (Lust for Life, Some Weird Sin, The Passenger, Success) and no real duds. I also rate 1993’s American Caesar very highly, and Eric Schermerhorn’s guitar playing on this album is sensational. There’s a bit of unevenness but the highs are so high, and there’s many of them, that it makes my list. While we’re at it, 2016’s Post Pop Depression made with John Homme from Queens of the Stone Age is also very, very good, but I’ll leave it at two. The thing to understand about Iggy is that when he’s working with the right crew, he can produce a great album.
• Paul Weller has made great music in the Jam, Style Council, and as a solo artist. None of this shows up in the Rolling Stone lists. At a minimum I’d include his solo album Wild Wood (1993).
• Neneh Cherry is another artist who’s made great music in very different phases of her career, albeit sporadically. I’d include both Raw Like Sushi (1989) and Homebrew (1992).
• It’s a bit of a surprise to me that Evan Dando’s charm didn’t get The Lemonheads onto the Rolling Stone list. I’d include It’s A Shame About Ray (1992).
• Reading, Writing and Arithmetic (1990) by The Sundays is just a perfect pop album. Harriet Wheeler’s dreamy vocals will put more of a spring in your step than that 10^th Bob Dylan album for the day.

1980s

• The non-appearance of Roy Orbison on the RS 2020 list is a surprise given others included. Mystery Girl (released in 1989, after his death in 1988) shows that ‘the Big O’ still had it right to the end.
• The Go Betweens are one of the few Australian bands that have sufficient international cache to justify a place on the list. The album would have to be 16 Lovers Lane (1988).
• Echo and the Bunnymen made some very classy pop music in the 1980s. Heaven Up Here was dropped in 2020 having been on the previous lists. I’d reinclude them with Ocean Rain (1987) which is their most complete album.
• Cabaret Voltaire have made fifteen studio albums over 40 years. Code (1987) is my favourite.
• David Sylvian started out in the band Japan, then went on to make some amazing music working with collaborators of high quality. Secrets of the Beehive (1987) is a great album.
• Public Image Ltd had the album Metal Box on previous lists but it was dropped in 2020 and they disappear as well. Their 1986 album called ‘Album’ is a monster and makes it onto my list.
• Rattlesnakes (1985) by Lloyd Cole and the Commotions is another pop gem.
• Laurie Anderson is an avant-garde artist who works with multiple forms of media. As a musician, she made a series of stunning albums in the early 1980s. Big Science is probably the album most people would choose but I’m going with Mister Heartbreak (1984). Fight me!
• The Blue Nile ride on Paul Buchanan’s voice, and what a ride it is. A Walk Across the Rooftops (1984) is my choice of their albums.
• Matt Johnson is an enigmatic character and his band The The is a fluid concept. Some fabulous music has been made under this moniker. Soul Mining (1983) is my pick (with stiff competition from Infected [1986] and Naked Self [2000]).
• I think Joe Jackson is underrated as an artist based on the quality and breadth of his musical output over 40 years. It would be a big call to put him up for more than one greatest album so I’ll settle for the inclusion of Night and Day (1982).
• Grace Jones made some remarkable music in the 1980s and Nightclubbing (1981) is definitely on my list of greatest albums.
• Pop music from the 1980s gets a bad rap and I’d agree that much of it hasn’t dated well. There are exceptions and Dare (1981) by Human League is one for me. I think it stands up very well.
• Joan Armatrading has made some great music over a long career and Show Some Emotion (1977) is on my list. Armatrading continued to evolve as an artist and I’d make the case for including Walk Under Ladders (1981) as well.
• Music by Australian and New Zealand artists has virtually no footprint on the Rolling Stone lists. Albums we might consider to be great ‘downunder’ are invisible in the northern hemisphere. Stuff it. True Colours (1980) by Split Enz is just a knockout pop album by all objective measures.

1970-60s

• XTC have made heaps of great pop music and deserve a place on the list. Drums and Wires (1979) is probably the album I’d choose, especially if I’m allowed the version that includes the glorious single ‘Life Begins At The Hop’ as a bonus track.
• Broken English (1979) by Marianne Faithful is a genuine classic.
• New Boots and Panties (1979) by Ian Drury and the Blockheads makes it onto my list.
• The songwriting talents of both Chris Difford and Glenn Tilbrook plus the keyboard chops of Jools Holland made Squeeze a force to be reckoned with. Cool for Cats (1979) is the place to start.
• Looking at some of the stuff that’s on the RS lists I’m surprised Warren Zevon has never had a look in. Excitable Boy (1978) has a knockout set of songs on it.
• Nick Lowe’s influence spreads widely through his songwriting, performance, and production. These talents were all channeled on his album, Jesus of Cool (1978).
• No albums by Joe Cocker suggests that Rolling Stone has some cross-Atlantic bias happening. Joe Cocker! (1969) has enough quality to make it onto my list.

3. What were they thinking?

Some of the choices look to me like right artist, wrong album.

As noted earlier, including five albums by Bruce Springsteen but excluding Greetings from Asbury Park, N.J. is a blooper. I feel the same way about listing eight albums by Bob Dylan but excluding Desire, though I accept that may be more a personal preference.

Here are the other choices that don’t seem right to me:

• Aja (#63) is not the Greatest Album by Steely Dan. Can’t Buy a Thrill (#168) is better, and so is Pretzel Logic, which was delisted in 2020. And so is Countdown to Ecstasy (never listed). At a minimum, put Pretzel Logic back in for Aja.
• It’s great to see Kate Bush finally on the list, with Hounds of Love at #68. It is a very good album, but her first album The Kick Inside was so different and so influential I think it deserves to be on the list. I’d give Kate two spots.
• AC/DC have Back in Black at #84 but Highway To Hell was delisted in 2020. I agree with having less Anglo-American male rock music on the list but you have to include an album from the Bon Scott era so Highway to Hell goes back in.
• The Doors by The Doors is a great album, coming in at #86. I think L.A. Woman which was delisted in 2020 stands up better over time and it would be my pick.
• The Smiths are big losers on the RS 2020 list with just The Queen is Dead (#113), down from four albums in 2012 and 2003. They only released four studio albums but also released three excellent ‘compilation’ albums in Hatful of Hollow, The World Won’t Listen, and Louder Than Bombs. These ‘compilation albums’ included some album tracks as well as singles, B-sides, and BBC recordings i.e. they weren’t Greatest Hits albums. This makes it hard to rate The Smiths’ albums. Hatful of Hollow is fantastic with sixteen knockout tracks of which only five are on The Smiths, the first studio album. Yes, Morrissey has revealed himself to be a real dick but their albums stand up and both Hatful of Hollow and The Queen is Dead make my list.
• U2’s stocks have also fallen, from five albums down to two. I basically agree with this readjustment as for me they’re in the category of great artists who made several albums that are pretty similar, and you need to choose one or two. Achtung Baby (#124) and Joshua Tree (#135) remain on the list, but it’s a mistake to exclude War which best meets my criteria for Greatest Album. I’d keep Achtung Baby as it was something of a reinvention for the band, and drop Joshua Tree.
• PJ Harvey has two albums on the list, Rid of Me (#153) and Stories From the City, Stories From the Sea (#313). Is This Desire? is a much better album than Stories From the City, Stories From the Sea.
• Synchronicity (#159) is the only album by The Police on RS 2020, down from four entries on previous lists. Four was definitely too many, but Outlandos d’Amour shouldn’t have been dropped. Its impact and influence as their first album makes it the greatest for me.
• Nobody sounds quite like the Cocteau Twins and it’s great to see them on the list in 2020 with Heaven or Las Vegas (#245). Unfortunately it’s nowhere near their best album. It should be Treasure, if not Victorialand.
• Gang of Four deserve a place with Entertainment! (#273), but how can you ignore their masterpiece Songs of the Free. I demand it be added!
• Peter Gabriel has one entry on the list, So at #297, and there’s nothing from his days with Genesis. I don’t think Rolling Stone ‘get’ Peter Gabriel’s importance. Maybe he’s too English. His first four solo albums after leaving Genesis, all called Peter Gabriel but with very distinctive album covers, along with 1983’s Plays Live album, represent an amazing body of work. At a bare minimum, the third album (known as ‘Melt’ because of its cover) warrants inclusion of the list. The influence of world music on Gabriel was becoming strong by the fourth album (known as ‘Security’), and he went on to make two outstanding soundtrack albums in the late 1980s, for the films Birdy (1985) and Passion: The Last Temptation of Christ (1989). I would drop So and add Peter Gabriel (‘Melt’) and Passion to my list.
• Vampire Weekend went from two entries in 2013 to one in 2020, but the wrong album was dropped. Vampire Weekend the album should be at #328, not Modern Vampires of the City.
• Tom Waits is one of those artists who tends to divide the room. I’m squarely on the side of the fans. Rain Dogs (#357) deserves its place, but there has to be room for Swordfish Trombones as well. It’s a masterpiece. I’d add a third in Closing Time, his first album, to showcase his extraordinary development as an artist over almost 40 years.
• I can’t believe they added Ram (#450) by Paul and Linda McCartney. I bought that record and retain a soft spot for the song ‘Smile Away’, but there’s no way it’s in 500 Greatest Albums of All Time territory.

So there you have it, my ‘two cents worth’ on The 500 Greatest Albums of All Time, according to Rolling Stone magazine. Let’s pour ourselves a glass of something nice and let the debate begin.

Moltmania, 10 October 2020